Monday, October 15, 2001
Cavafy in Translation: “How Sorely Wounded He Has Come to Us!”
Before Time Could Change Them: The Complete Poems of Constantine P. Cavafy, translated by Theoharis C.Theoharis, with a foreword by Gore Vidal. Harcourt Brace, New York, 354 pages, 2001, $28.00.
By Karl Kirchwey
On the face of it, there would seem to be little need for a new translation of the work of the Alexandrian Greek poet Konstantinos P. Kavaphes, who was known to the English-speaking world as Constantine P. Cavafy. The first English translations by John Mavrogordato were followed by Rae Dalvens The Complete Poems of Cavafy (1949, 1959) and by Edmund Keeleys and Philip Sherrards C.P. Cavafy: Collected Poems (1975; revised edition, 1992). Contemporary American poets such as James Merrill and Robert Pinsky have also done able translations of individual Cavafy poems. In his introduction to Rae Dalvens volume, however, W.H. Auden suggests that what is most distinctive about Cavafys poetry are not the translatable elements such as poetic form, meter, simile, or metaphor, but what Auden describes as a tone of voice, a personal speech. While acknowledging Cavafys influence on his own work, Auden is somewhat bemused by the fact that he has only known him in translation. (Auden did not know modern Greek.) Yet even for a Greekless reader (including this one), it is surely the voice in Cavafy that is most distinctive and most memorable; and any new attempt to deliver that voice, in its several registers of irony and sensual regret, is worthy of scrutiny.
From all I did and all I said/let no one try to find out who I was, says Cavafy in an uncollected poem entitled Hidden Things. And he continues, An obstacle stood there and transfigured/the actions and demeanor of my life. It was T.S. Eliot who made the distinction between the man who suffers and the mind which creates. He did this to discourage any easy autobiographical readings of a poets work; and yet, in Cavafy, the poems can most easily be divided into two groups: those that seem to testify to the clandestine ecstasies and losses of a contemporary homosexual life, and those spoken in the voices of historical personages long dead, figures from Greek antiquity and from the Roman and Byzantine empires. In his biographical note on the poet, Edmund Keeley writes that Several of those who managed to search him out have reported that Cavafy was not only a receptive host but a learned conversationalist who had the fascinating capacity to gossip about historical figures from the distant past so as to make them seem a part of some scandalous intrigue taking place in the Alexandrian world immediately below the poets second-floor balcony. For Cavafy, perhaps, the distinction between his poems of contemporary experience and his historical dramatic monologues was not as clear as it might be to a contemporary reader. It was E.M. Forster, after all, who described Cavafy as standing absolutely motionless at a slight angle to the universe. And this invites a reader to contemplate what connections there might be between these two apparently very different kinds of poems, between the random glimpses of love in tavernas and bedrooms and the random glimpses of life in usually obscure corners of the usually fading empires of the past. Love, in Cavafy, is homosexual love, forbidden love, love therefore doomed to be clandestine and brief, and recalled, more often than not, in the onanistic misery of solitude. In this regard, Cavafys work bears comparison with that of English poet Philip Larkin, for instance. Yet there is a defiant ferocity to the remembering of that love in Cavafy, which transcends the scalding loneliness and stasis of recollection in the heterosexual Larkins work. Indeed, in Cavafy, it is possible to conclude that the origins of artistic power itself lie specifically in sexual trespass, not so much for the ecstasy of the moment as for the lifetime of vivid recollection initiated by that moment. Thus Cavafy concludes a poem entitled Their Origin, the first part of which describes a guilty homosexual encounter, Yet how the artists life has gained./Tomorrow, the day after tomorrow, or years later/the lines of power will be written whose origin was here. In Cavafy, barren love may prove to be exceptionally fertile in artistic terms, and memory may prove to be recuperative. His poems occasionally strike a traditional attitude, against the mortality of their author (or speaker); thus, in 595 CE, a poet named Jason Kleander cries out against his aging, It is a wound from a savage knife./Bring your drugs, Poetic Art,/which take away for just a bit awareness of the wound. But it is societys opprobrium, guaranteeing loves brevity and stealth, which also seems to guarantee the intensity and posterity of these experiences in memory. Of the eyes of a lover, Cavafy writes, Keep them, you, my memory, as they were (Gray). Memory, in Cavafy, has a perpetual flush and rondure, like that which the Roman naturalist Pliny tells us made a man embrace the statue of the Cnidean Aphrodite at night, leaving stains on her body by morning. And love is best when it is broken off by circumstances, when lovers are separated before Time could change them Corresponding to the brevity and stealth of the experience behind the love poems, Cavafys historical monologues represent the briefest of apostrophes in the enormous span of recorded time, spoken by characters who, for most readers, will be obscure. I have two capacities, Cavafy remarked, to write Poetry or to write History. I havent written History and its too late now. In his poetry, Cavafy does both write and interpret history. But he challenges us to listen to speakers other than Cleopatra and Antony and Alexander the Great. What we hear are the voices of those ordinary mortals left alive when the heroes have enjoyed their apotheoses. The speakers in Cavafys historical monologues are culturally, politically, or linguistically marginalized, just as the speakers in his love poems are sexually marginalized: just as a Greek writing in Alexandria was marginalized. (On the other hand, in a poem of his own that he rejected, entitled Horace in Athens, Cavafy suggests that the true road to linguistic ascendancy lies through sex, since the Roman poet is imagined in the company of a prostitute.) He achieves an eternal erotic present, and also an eternal historical present, by focusing on telling and forgotten moments. On the one hand, historical cataclysms render the work of art irrelevant; on the other hand, the work of art achieves its own immortality, Cavafy suggests, independent of the circumstances attending upon its creation. The poet Phernazis doggedly labors over his Greek epic about Darius the Persian even as his own doomed nation is invaded by Rome, circa 71 BCE: But through all of this shock and turmoil,/the poetic idea also insistently comes and goes (Dareios). The invitation to the reader is always the same: to listen to these apparently minor, hidden, or forgotten voices for the wisdom they contain, a wisdom pointed up in many cases by the irony of the poets own voice. For Cavafys poems are also splendidly sensitive to the ironies and ambiguities of competing religions and geopolitical dynasties in any given historical moment. Those who survive the triumphs and cruelties of historys victors do so because of a certain moral facility, like that which allows the cultural channel-surfing (from Platonist philosophy to politics to Christianity to paganism to sensualism) of the man of around 243 CE described in the poem From the School of the Renowned Philosopher. In another instance, the inhabitants of a backwater town, having guessed wrong about the outcome of the Battle of Actium, have no trouble substituting the name of Octavian for that of Antony in their pre-prepared victory proclamation. That proclamation is written in Greek, and either historical outcome spells only further cultural eclipse for these elders as far as their language is concerned (In a Township of Asia Minor). Finally, the speaker in the poem Epitaph is a Greek trader from the island of Samos who has died a slave in India and is buried beside the Ganges. He rejoices that he will be able to speak Greek at last if only in Hades. Irony is, of course, the weapon of the disenfranchised. If part of the challenge in translating Cavafy is to render his distinctive voice, part of that voice consists of a perfectly balanced irony. Theoharis succeeds, sometimes better than his predecessors, in conveying the bitterness of present circumstances and the intoxicating richness of recollection in Cavafy, and in approximating that language, informal and idiomatic, which Cavafy blended from the katharevousa and demotic Greek languages. In Cavafys poem An Old Man, Theohariss phrase, the vile indignity of old age, is more pointed than either the scorn of his miserable old age (Dalven) or the miserable banality of old age (Keeley and Sherrard). In The Horses of Achilles, Theoharis writes that their deathless nature leapt in rage, while, in Dalven, their immortal nature was indignant and their immortal nature was upset deeply in Keeley and Sherrard (both of these translations feel too stiff). Theohariss edition of Cavafys poems purports to include nine poems not previously included in English translations. Of these, The Footsteps of the Eumenides bears a close resemblance to the poem translated by Dalven as Footsteps. The Ships, however, provides an interesting allegorization of experience along the lines of Cavafys famous poem Ithaca, while The Regiment of Pleasure makes a useful companion piece to An Old Man. An error at the publishers bindery seems to have resulted in a number of copies of the first edition of this book, which omit the first 35 pages of translations and duplicate the front matter. Given Theohariss own linguistic resourcefulness and sensitivity, it is odd to find (in his Introduction) certain assertions that seem to contradict just the poetic sensibility he has rendered so ably into our language. For instance, Theoharis states that Cavafy preserves the refined fulfillment that charges the rare poems of perfected eros that he wrote (xxiv), but the phrase refined fulfillment seems somehow too precious for the erotic urgency and loss one feels in translations of Cavafy including those under consideration here. In addition, Theohariss phrases decorous intensity and learned engagement with elemental experience (xxviii), as applied to the poems of someone who lived in the world of the past, not as a historian but as a poet, seem wide of the emotional truth of these poems, even as it is felt in translation. Theoharis declares that Cavafy moralizes often in his love poems and history poems (xxv), yet here surely a distinction needs to be made (upon which all irony depends) between the moralizing of speakers in the poems and that of their author. Cavafy seldom moralizes; his speakers often do. Perhaps most puzzling is Theohariss remark about what he calls the challenge of history in Cavafy: Those who fail the challenge, through venality, vainglory, cowardice, or nihilistic weariness, Cavafy treats with acid sarcasm and genial disdain. But such editorializing would be foreign to a great poet. It is precisely in the distance we feel from his speakers whether moral, temporal or geographical and in the moment of our realizing that distance, that Cavafy lights the flame of true sympathy in us and ensures a permanent voice for these forgotten men and women. They will survive the ravages of time, all the more powerful for the fact that they, like us, are incomplete. Thus the satirical voice of the Greek poet Herodas (third century BCE) rises vigorous from the tattered papyrus that was excavated in 1891, when Cavafy was a young man: how sorely wounded he has come to us! (The Mimiambi of Herodas)
Karl Kirchwey is the author of three books of poems; currently, he is director of creative writing and senior lecturer in the arts at Bryn Mawr College.
On a Cruise Ship Sailing Past Crete
Talking about O’Dwyer by C. K. Stead. Harvill Press, London, 246 pages, 2000, $23.00.
By Tom LeClair
The ODwyer of C. K. Steads title is Donovan ODwyer, a dashing New Zealand captain of Maori troops during the Battle of Crete in 1941. After the war, ODwyer becomes a professor of ancient history at Oxford, where he befriends another New Zealander, Mike Newall, twenty years his junior. ODwyer doesnt know that when Newall was a boy in Auckland, he watched a Maori witch place a curse on ODwyer for shooting a soldier under his command in Crete. Just after ODwyers death in the late 1990s, Newall, now also a professor at Oxford, spends two days and most of the novel talking about the curse, ODwyer, and himself with another World War II veteran and Oxford man, Bertie Winterstoke. As in ancient oral tradition, there are several versions of what happened in 1941. The version ODwyer told was that Joe Panapa stepped on a mine during the Allies retreat, couldnt be saved, and asked to be put out of his suffering. The curse was called down on ODwyer when he told Panapas family this story because he shot Joe in the head, which the Maori consider sacred. The version that Newall discovers near the end of the novel is different, so different that a curse probably wasnt needed to haunt the rest of ODwyers days.
Born in 1932, about the time of Newalls birth, C. K. Stead could not have witnessed the Battle of Crete, but he ably reconstructs a few days of it in chapters that alternate with chapters about Newalls childhood and recent travels in another war zone, Croatia. ODwyer and his men are assigned to protect the airport at Maleme near Chania. Forced to retreat by massive German airstrikes, the New Zealanders are almost overwhelmed by German paratroopers dropped behind Allied lines. The Maori soldiers display unusual heroism, but eventually have to withdraw and be evacuated from the island. Stead effectively describes the physical setting and emotions of the battle, but allows no cultural contact between the two fierce island warriors, the Maori and Cretans. Although Stead mentions briefly that Cretan civilians used homemade weapons to attack the German paratroopers, he includes nothing about the more interesting long-term cooperation between Allied survivors and Greeks. Newall supposedly reconstructs battle scenes from Joe Panapas letters home, a notebook he kept, and ODwyers memories decades later. Really, though, it is Stead who takes over the historical narration to give the war chapters concrete immediacy (how olive trees looked, how the dry ground smelled) and personal conflict (dialogue no one could or would have reported). The result is informative about this episode that changed future German tactics and the face of western Crete, but in Talking about ODwyer, the Battle of Crete is fought so Stead can turn ODwyers gun on his own man, and turn Newalls mind back to those events almost 60 years later. A life-long academic, Newall envies ODwyers war experience. When Newalls marriage breaks up, he makes an impulsive trip to exploding Croatia to become at least an observer of warriors, and to get information for his childhood and college sweetheart, Marica, a Croatian still living in New Zealand. Although death in Crete drives Steads plot, the life of Mike Newall is what Stead does best, probably because Newall is a professor, not a soldier. Newall has spent most of his career twiddling with that master linguistic twiddler Wittgenstein, so random violence in Croatia and a young woman he meets there are sufficient simulacra of ODwyers wartime actions and amorous exploits at Oxford. The most authentic and lovingly described period of Newalls life is his youth in New Zealand, where his best friend was a part-Maori named Frano. They wrestle, ride motorcycles, and watch the curse together, but split over Marica, Franos cousin and Newalls love. To Frano, it appears that Mike has commandeered Marica because Mike is of European stock. When Frano either kills himself or dies in a motorcycle accident, Mike feels a life-long curse not unlike ODwyers. Stead uses a few phrases of Greek and Croatian and includes a glossary of the many Maori words in the novel. I believe he is well-intentioned about his characters cultural crossings and conflicts, but the novel is often touristic. Newall visits a war he didnt observe and drops in on a country he can observe but not understand. Stead makes Newalls detachment part of the novels point, and yet the book, like Newalls reconstructions and interpretations, remains limited by the authors distance from his most exciting and demanding material. Newall tells much of the story to a survivor of Crete, the 80-year-old Winterstoke. He is patient with Newall, and yet the war anecdote Winterstoke narrates, being placed in a closed hold to put out a fire, a suicide mission, is so horrific that it implies a Wittgenstein quote used several times in the book: What we cannot speak about must be passed over in silence(37). Newall and Winterstoke struggle to break that silence, work to hear each other over pub noise, fight against fading memory, and identify the cosmic enemy, entropy. To paraphrase Raymond Carver, C. K. Stead has written a What We Talk About When We Talk About War, a novel obsessively aware of its own linguistic, as well as experiential, limitations. At novels end, Winterstoke joins Newall and other characters in Chania for the sprinkling of ODwyers ashes on Joe Panapas grave. Newall feels renewed, as his name suggests. But Winterstoke remains a bit detached from the group. That distance is the war veterans, the survivors, but unintentionally stands for the detachment of the reader this reader, anyway from Talking about ODwyer. A different title and a different book say, ODwyer in Crete would perhaps have elicited more attachment from readers of greekworks.com, but that novel would have been devilishly hard to write, demanding even more research and crosscultural imagination from Stead. If you know nothing about the Battle of Crete, Talking about ODwyer will be worth the read, even if its like sailing past the island on a cruise ship filled with New Zealanders.
Tom LeClair’s novel, Passing On, was published last year by greekworks.com, which will release The Liquidators this winter.
From Nuremberg to the Hague and Beyond
The Trial of Henry Kissinger by Christopher Hitchens. Verso Books, New York, 160 pages , 2001, $22.00.
By Peter Pappas
A Necessary Prologue If truth is always the first casualty of war, then the newly declared jihad on global terrorism has already claimed its initial victim. Since the atrocities of September 11, 2001, we have all been told repeatedly that nothing will ever be the same. Would that it were so. Unfortunately, the official rhetoric reinforced by a bipartisan consensus of retribution bespeaks hoary notions of good and evil that make the political climate seem nothing so much as déjà vu all over again. The strained and fundamentally fraudulent comparisons to the Second World War that have become common currency in the last month would be laughable were they not so disorienting and morally obtuse. September 11, 2001, was many things, but it was not December 7, 1941; as for George W. Bush, even his most ardent partisans would not presume to claim FDRs mantle for him (nor, I suspect, would he want them to). No, the grainy images (digitally enhanced, of course) that immediately come to mind today, as the administration begins to stiffen our resolve for the long and protracted struggle ahead, are not those of the Second World War but of the first Cold War.
As with that latter conflict, we are not so much confounded by the enemy, as we are confused about who or, more precisely, what it is. During the first Cold War, we thought that the Soviet Union, or even communism generally, was the foe; hence, we almost always saw demons were there were only mere human beings, revolutionary fanatics were there were only frustrated reformers. The rest, as they say, is history many times melancholy, oftentimes unspeakable: individuals eliminated, nations and entire continents realigned to a free world that was indeed free for some but an unattainable and cruel destiny for most. Mossadegh and Iran; Arbenz and Guatemala; Lumumba and the Congo; Allende and Chile; Steve Biko murdered, and Nelson Mandela and his comrades imprisoned for decades on Robbin Island, in South Africa; hundreds of thousands of people (a million?) slaughtered in Indonesia; desaparecidos in Argentina, Paraguay, and Uruguay; the killing fields of Cambodia; Lambrakis and the colonels dictatorship in Greece; the invasion and occupation of Cyprus; and on and on: the mind reels and the stomach turns at such a sanguinary notion of freedom. In the end, of course, the Soviet Union imploded (having committed its own heinous crimes in the name of a grotesque socialism and an equally monstrous fraternity of peoples), while former communists were and continue to be freely elected to parliamentary majorities in formerly enslaved nations. Life (as Mikhail Gorbachev would say) always finds a way to slap us rudely and sharply in the face. The People v. Henry A. Kissinger Which leads me to the book under consideration here. One of the truest and most succinct comments on the Vietnam War, and the era that defined it, was made in a comic strip. We have met the enemy, Pogo said famously, and it is us. Christopher Hitchenss new book proves it. I was not prepared for The Trial of Henry Kissinger. I had read Hitchenss last two polemics, The Missionary Position and No One Left To Lie To, and was perplexed; I didnt understand why he had written them or, rather, why he had written them the way he had. They were both really long magazine articles rather than books, and, if you were not already convinced of their respective arguments (Mother Teresas specious saintliness on the one hand or Bill Clintons Nixonian mendacity on the other), I dont think either book would prove persuasive. The Clinton book in particular was a lost opportunity. Hitchens is a compelling polemicist, which is to say that he is exceedingly thoughtful. He is one of the few people in the American journalistic establishment who has actually read something besides politicians memoirs and David Halberstams books. For that reason, he is an acute critic of this historical moment in the United States, when the ideological consensus has virtually anesthetized the body politic. Indeed, by continually contesting the various shibboleths of that consensus, he has sought to expose its moral weaknesses. If this is a work in progress, it is unfair to judge it or him prematurely. In the event, The Trial of Henry Kissinger is true to its title a devastating indictment, not only of the man but, more to the point, of the nation in whose name he spoke, and acted, for many years. The Bill of Indictment Hitchens begins his book with the caveat that it is written by a political opponent of Henry Kissinger. Nevertheless, he continues, I have found myself continually amazed at how much hostile and discreditable material I have felt compelled to omit. He then stipulates that he is concerned only with…offenses that might or should form the basis of a legal prosecution, specifically: war crimes, crimes against humanity, and offenses against common or customary or international law, including conspiracy to commit murder, kidnap and torture. He rightly stresses that the verdicts of the tribunal convened by the United Nations at The Hague to adjudicate war crimes in the former Yugoslavia, as well as the precedents established by the undaunted attempts of Spanish magistrate Baltazar Garzon to bring Augusto Pinochet to justice, have, once and for all, nullified the defense of sovereign immunity for state crimes and thus destroyed the shield that immunized crimes committed under the justification of raison detat. Hitchens is clear and unsparing about any failure to proceed against Henry Kissinger in this new international legal regime: if the most powerful democracy in the world does not act now, it will violate the essential…principle that not even the most powerful are above the law and, consequently, suggest that prosecutions for war crimes and crimes against humanity are reserved for losers, or for minor despots in relatively negligible countries. He ends his preface by citing the philosopher Anacharsis comparison of the law to a cobweb: strong enough to hold the weak, but too weak to restrain the strong. Hitchens limits himself to Kissingers actions in five areas of the world Indochina, Bangladesh, Chile, Cyprus, and East Timor as well to his alleged involvement with what Hitchens terms a wet job in Washington, DC, directed at Greek journalist Elias Demetracopoulos. I will not rehash Hitchenss evidence for each particular other than to say that, while it is brief in all cases, it is nonetheless damning in most (I will come back to the one instance in which I think it is not). There are, however, two cases one that has truly taken on international dimensions and one that concerns all Greeks directly that I believe warrant more than passing mention here. Chile Rene Schneider was chief of the general staff of Chile in 1970 when Salvador Allende was elected president of the country. As such, General Schneider was the guardian of the Chilean militarys traditional abstention from politics (legendary throughout Latin America at the time). Indeed, General Schneider was publicly committed to his nations democratic process and constitution, and utterly opposed to any intervention by rogue (which is to say extreme right-wing) elements of the armed forces. It was about Chile, however, that Henry Kissinger infamously remarked that there was no reason to allow a country to go Marxist just because its people are irresponsible (although he had earlier described it as a dagger pointed at the heart of Antarctica, i.e., of no vital national interest to the United States). As things tragically turned out, the military guardian of Chilean democracy would become the first victim of the United States guardianship of the free world. Within a week and a half of Allendes election on September 4, Richard Nixon called in Kissinger and CIA director Richard Helms for a meeting at the Oval Office. The agenda was simple and straightforward: keeping the newly elected socialist from being sworn in as Chiles president within the 60-day period mandated by the nations constitution. Hitchens quotes from Helmss notes of that meeting: Not concerned risks involved. No involvement of embassy. $10,000,000 available, more if necessary. Full-time job best men we have….Make the economy scream. 48 hours for plan of action. The plan of action hatched by Kissinger and Helms was equally straightforward: Kidnap Rene Schneider, and make it look as if supporters of Allende had perpetrated the crime. Helms and his head of covert operations, Thomas Karamessines, were skeptical, however. Hitchens again quotes Helms: We tried to make clear to Kissinger how small the possibility of success was. Kissinger, however, was unimpressed. He instructed the two to proceed. At this point, Hitchens makes the following comment: Here one must pause for a recapitulation. An unelected official in the United States is meeting with others, without the knowledge or authorization of Congress, to plan the kidnapping of a constitution-minded senior officer in a democratic country with which the United States is not at war, and with which it maintains cordial relations. And in case there is any doubt as to the wider sequence of events for which this kidnapping was intended to be the catalyst, Hitchens also quotes extensively from the US governments cable traffic at the time between Washington and Santiago. I will cite only one example, a cable from Washington dated October 16, 1970: - ...[P]olicy, objectives and actions were reviewed at high USG [United States Government] level afternoon 15 October. Conclusions, which are to be your operational guide, follow:
- It is firm and continuing policy that Allende be overthrown by a coup. It would be much preferable to have this transpire prior to 24 October [the scheduled date of his inauguration] but efforts in this regard will continue vigorously beyond this date. We are to continue to exert maximum pressure toward this end utilizing every appropriate resource. It is imperative that these actions be implemented clandestinely and securely so that the USG and American hand be well hidden….
- After the most careful consideration it was determined that a Viaux coup attempt…would fail. Thus it would be counterproductive to our [Track Two] objectives. It was decided that [CIA] get a message to Viaux warning him against precipitate action. In essence our message is to state, We have reviewed your plans, and…we come to the conclusion that your plans…at this time cannot succeed. Failing, they may reduce your capabilities for the future. Preserve your assets. We will stay in touch. The time will come when you…can do something. You will continue to have our support....
- There is great and continuing interest in the activities of Tirado, Canales, Valenzuela et al and we wish them maximum good fortune.
- The above is your operating guidance. No other policy guidance you may receive…are [sic] to sway you from your course.
- Please review all your present and possibly new activities to include propaganda, black operations, surfacing of intelligence or disinformation, personal contacts, or anything else your imagination can conjure which will permit you to press forward…in a secure manner.
Some explanation is necessary here. General Roberto Viaux was an extremist right-wing officer who in 1969 had tried to overthrow the government of Christian Democratic president Eduardo Frei; he was the one initially approached by the United States to kidnap General Schneider. However, several CIA agents in Chile itself felt that Viaux was too untrustworthy (even for their jaded tastes apparently) and managed to convince their superiors in Washington and ultimately Kissinger to add a more respectable group to the plot, mentioned in Paragraph 5 above, led by General Camilo Valenzuela, head of the army garrison in Santiago. This two-track policy, as Hitchens points out, reproduced the greater, and prior, two tracks that had been created to mastermind and implement the overthrow of Chilean democracy making even more duplicitous what by now had become a seemingly endless tale of US government duplicity. For the mind-boggling fact is that this entire conspiracy by the American government to destroy the democratically elected government of Chile was perpetrated, not only against the explicit wishes and recommendations of then-US ambassador to Chile, Edward Korry, but with his complete ignorance of it to the point that military attaches in his own embassy were, unbeknownst to him, directly contravening his orders not to have anything to do with extremist right-wing elements plotting Allendes downfall. Hence, Track One was the legitimate face of the US government represented by Ambassador Korry, while Track Two was the covert operation directed by Kissinger to sabotage Allendes election. The profound cynicism some would undoubtedly call it evil involved here is truly breathtaking. To make a long and infinitely shameful story short, the kidnapping of General Schneider (by the Viaux group in the end) went awry, and he was assassinated in the attempt. Nevertheless, Salvador Allende was, of course, sworn in as president of his country, but three years and a week following his election, he was violently overthrown in a coup by another chief of staff, Augusto Pinochet, who had none of the constitutional scruples of General Schneider. Allende, along with thousands of his fellow citizens, died in the ensuing bloodbath, while everyone who survived was doomed to 17 years of one of the most brutal dictatorships in the hemisphere yet another victory for US policy and the free world. Cyprus I assume that many readers of this review are intimately familiar with the sad tale of US complicity (even if only tacit), not so much in the actual invasion(s) of Cyprus by Turkey, as with the Greek-sponsored coup against Archbishop Makarios that provoked them and thus allowed Turkey to justify them (or at least the initial one). I would like, however, to make several points or, rather, to cite several points made by Hitchens that reinforce the legal case against Henry Kissinger. The most important, and genuinely scathing, one speaks to Kissingers authority. And here, I confess, that although I lived through those years, I simply did not remember the concentration of power that Kissinger had amassed, unique in the annals of the Republic. I quote Hitchens: [W]hen [Kissinger] became secretary of state in 1973, he took care to retain his post as…National Security Advisor. This made him the first and only secretary of state to hold the chairmanship of the elite and secretive Forty Committee, which considered and approved covert actions by the CIA. Meanwhile, as chairman of the National Security Council, he held a position where every important intelligence plan passed across his desk. His former NSC aide, Roger Morris, was not exaggerating by much…when he said that Kissingers dual position, plus Nixons eroded status [during the Watergate scandal], made him no less than acting chief of state for national security. I should once again stress the ramifications of the paragraph above: From Thomas Jefferson in the first administration of George Washington to Colin Powell today, no other secretary of state ever possessed the institutional, and actual policymaking, power held by Henry Kissinger. Put another way, his watch as secretary of state was, quite literally in the most proprietary sense of the possessive his watch. As far as Cyprus was concerned, it is abundantly clear now (as it was then, for that matter) that if Kissinger had wanted the United States to intervene in defense of constitutional legality and the democratic adjudication of the intercommunal disputes dividing the country at the time, he could have done so or at least made the attempt. He did not care to, however, if for no other reason than his well-known distaste for Makarios. As Hitchens points out, Kissinger baldly stated in his memoirs that Makarios was the proximate cause of most of Cypruss tensions. It is not surprising, therefore, that when it became common knowledge throughout the region and in Washington that the Greek junta in power at the time was preparing a coup against the democratically elected president of the island republic, Kissinger turned a blind eye to the information his own state department was providing him and hoped for the best that is, the worst for Cyprus, which would have been Makarioss ouster and possible assassination. There is in fact a smoking gun here (one of the many virtues of Hitchenss book is that he uncovers a veritable arsenal of smoking guns). Again, Ill let Hitchens tell the tale: In May of 1974, two months before the coup in Nicosia which Kissinger later claimed was a shock, he received a memorandum from the head of his State Department Cyprus desk, Thomas Boyatt. Boyatt summarized all the cumulative and persuasive reasons for believing that a Greek junta attack on Cyprus and Makarios was imminent. He further argued that, in the absence of a US demarche to Athens, warning the dictators to desist, it might be assumed that the United States was indifferent to this. And he added what everybody knew that such a coup, if it went forward, would beyond doubt trigger a Turkish invasion. A couple of pages later, Hitchens describes the fate of this and other reports by Boyatt. Thomas Boyatts memoranda, warning of precisely what was to happen (and echoing the views of several mid-level officials besides himself), were classified as secret and have still never been released. Asked to testify at the [1976 House Committee on Intelligence] hearings, he was at first forbidden by Kissinger to appear before Congress. He was finally permitted to do so in order that he might avoid a citation for contempt. His evidence was taken in executive session, with the hearing-room cleared of staff, reporters, and visitors. So much for democratic accountability and an open society. In a sad coda to this dismal affair, less than two weeks before the coup against him, Makarios released an open letter that directly accused the Greek junta of attempting to destroy Cyprus and murder him, characteristically referring to an assassins invisible hand: I have more than once so far felt, and in some cases I have touched, a hand invisibly extending from Athens and seeking to liquidate my human existence. Nevertheless, when Henry Kissinger was asked, soon after the coup, why the US did not anticipate events, his answer, grotesquely, was that the information was not lying around in the streets. A Wet Job in Washington? The only count in Hitchenss indictment against Kissinger that I find unpersuasive concerns an alleged plot by the Greek dictatorship to kidnap and murder Greek journalist and anti-junta activist Elias Demetracopoulos, about which, according to Hitchens, Kissinger must have been informed. Anybody who has followed Hitchenss career over the years knows of his relationship with Demetracopoulos; and Elias Demetracopoulos himself is familiar to anyone who was at all involved with anti-junta activity in the United States during the time of military rule in Greece. Hitchens accurately describes Demetracopouloss opposition to the colonels as an extraordinary one-man campaign of lobbying and information…against the military gangsters who had usurped power in Athens. Demetracopoulos did indeed perform extraordinary services for the anti-dictatorial cause in the United States, especially because it was often a very lonely and unpopular struggle. (Conveniently enough, the Greek American community belatedly discovered the democratic heritage of its ethnic forebears only after the junta fell, taking Cyprus down with it.) It is also true that Demetracopoulos became a thorn in the side of the Nixon administration because of his investigative work, primarily his discovery of the hundreds of thousands of dollars illegally funneled from the Greek dictatorship to the Nixon-Agnew campaign in 1968 through KYP (Kentriki Ypiresia Pliroforion), the Greek intelligence agency, which was at the time a recipient in its turn of CIA funding. Demetracopoulos went to Democratic Party chairman Larry OBrien with this information and, as Hitchens notes, historians have since speculated as to whether it was evidence of this Greek connection...that Nixons…burglars were seeking when they entered OBriens Watergate office…. Hitchens is right to argue, therefore, that Demetracopoulos was persona non grata in the Washington of Nixon and Kissinger. I do not believe, however, that there is substantial evidence to indicate that any visceral animosity the latter might have had against Demetracopoulos led to aiding or abetting kidnapping or murder. Indeed, even the primary evidence of the colonels plot against Demetracopoulos hinges on some interpretation. Hitchens quotes from the memoirs of Constantine Panayotakos, the Greek juntas ambassador to Washington during the regimes last months in 1974. I was informed about some plans to kidnap and transport Elias Demetracopoulos to Greece…which reminded me of KGB methods. On 29 May a document was transmitted to me from Angelos Vlachos, Secretary General of the Foreign Ministry…about the most efficient means of dealing with…Demetracopoulos…. Finally, another brilliant idea of the most brilliant members of the Foreign Ministry…transmitted to me on 12 June, was for me to seek useful advice on the extermination [emphasis added by Hitchens] of Elias Demetracopoulos from George Churchill, director of the Greek desk at the State Department, who was one of his most vitriolic enemies. Hitchens then immediately comments: (In Greek, the italicized word above is exoudeterosi. It is pretty strong. It is usually translated as extermination, though elimination might be an alternative rendering. It is not a recipe for inconveniencing or hampering an individual, but for getting rid of him.) Exoudeterosi actually means neutralization, and, while it is pretty strong, it often means simply that. In my experience, at least, I have never seen it used to mean extermination, which, in Greek, is exontosi, exolothrefsi, or even xeklirisma. It can occasionally mean elimination, as Hitchens says, and precisely in the way in which he indicates, that is, a dictator eliminating his opponents. I do not get that sense, however, from Panayotakoss context. I think that what was clearly meant in the passage above was an action to neutralize Demetracopoulos as an effective opponent to the military regime and a spokesman for democracy. Indeed, I think that the historical context is important here. First of all, unlike the Chilean or other Latin American military regimes, the Greek junta was not particularly murderous at least not until the suppression of the Polytechnic uprising in November 1973. It certainly tortured thousands of Greeks, but it was not known for assassinating its political opponents. Murders similar to those of Orlando Letelier and Ronni Moffitt in Washington or Carlos Prats in Buenos Aires by the Chilean regime were not the modus operandi of the Greek colonels. If the Greek junta did not eliminate Andreas Papandreou or members of the central committee of the Greek communist party or hundreds of other domestic opponents when it had a chance, I cannot believe that it would have gone to the length of assassinating a liberal exile journalist. Second, while all of us who came of political age during the Sixties are inured to the most horrific stories of CIA violence, I do not believe that a State Department functionary at the time albeit a Nixon appointee would have plotted the death of a foreign journalist legally residing and working in Washington, DC. In fact, what makes the case against Henry Kissinger so compelling is precisely the evidence that Hitchens has gathered to prove how unique Kissingers actions were in relation to his predecessors or successors at the Department of State. And, finally, since Im on the subject of Henry Kissinger, the evidence to date that Hitchens presents on this matter is thoroughly circumstantial. As such, it simply does not explain let alone prove why Kissinger should think that Demetracopoulos was so dangerous (either to Kissinger personally or to the national interests of the United States) as to entangle himself in a plot to murder the Greek journalist. Nevertheless, Kissinger has information in his archives that he has never released and that is germane to this case. Hitchens is thus right to argue that, n order to be cleared of the suspicion, and to explain the mysterious reference to Demetracopouloss death in his own archives, Kissinger need only make those archives at last accessible or else be subpoenaed to do so. With Liberty and Justice for All: Some Conclusions At this moment, magistrates of four Western nations and US allies (two of them NATO members) Argentina, Chile, France, and Spain have issued warrants to Henry Kissinger to testify in several cases of murder and disappearance in Latin America during the time of US support of military dictatorships there. Recently, CBSs 60 Minutes produced a report on the assassination of Rene Schneider, and on the determination of Schneiders family and especially his son to have the case reopened in the United States. It is clear that a new international regime of criminal justice, which will not be led astray by political considerations, is slowly, if hesitatingly, taking shape. In doing so, it is judiciously and scrupulously imposing its mandate of defending human rights and, for that matter, entire communities of people wherever and by whomever in the world they are violated. I wrote earlier in this essay that I was not prepared for Hitchenss book. One of the reasons was that I had read several reviews of it, all of them sympathetic but ultimately critical of what the reviewers thought was his incomplete evidence. Consequently, I thought it would be as tentative as some of his previous works. It is not. It is as robust and thorough an indictment as anyone can possibly compose in 150 short pages. I have only partially described the chapters on Chile and Cyprus here; the chapters on Indochina, Bangladesh, and East Timor are just as persuasive and inculpatory of Kissinger. I think critics have been harsh to Hitchens because they cannot bring themselves to imagine let alone accept the possibility of what he is proposing: the prosecution of a former secretary of state of the United States for crimes committed during his tenure. I think, however, that Hitchens will be vindicated in the end for his persistence (and, let it be said, courage), and that Kissinger will be disgraced, if not in a court of law, then in the court of international public opinion, much as Augusto Pinochet a man once shamelessly described by Kissinger as a victim of all left-wing groups around the world was finally publicly humiliated throughout the world by the doggedness of Baltazar Garzon. In the event, it behooves Greeks and Greek Americans (and, even more so, Cypriots and Cypriot Americans) to assist in the international process to bring Kissinger to justice in this instance, for his actions against the republic of Cyprus by seeking redress in whatever legal jurisdiction they can. It should be repeated here in that context that, as Hitchens writes, there are still a dozen American citizens unaccounted for following the Turkish invasion of the country. It should also be said in that regard that the so-called Greek lobby has performed a profound disservice, both to Cyprus and the United States, by its disorienting pursuit of the rule of law in every venue except that of an actual courtroom! (It goes without saying, of course, that the notion of administrations such as those of Richard Nixon or Ronald Reagan actually caring about the rule of law is downright surrealistic.) The Trial of Henry Kissinger is a profoundly important book, even more so now following the recent mass murders in New York and Washington, DC. It is not excusing those outrages, or pausing even one second from bringing those responsible to justice and, in fact, destroying their capacity ever to repeat their perverse violence to state the obvious: that, in a world fractured and deformed by injustice and seemingly irreducible inequalities, terrorism is a permanent condition. The only permanent safeguard against it in fact is our own stance in the world, which must be to defend justice and systematically contest global inequities and diminish them and be seen as doing so. As the most powerful nation in the world, there will always be people who will despise us. The point is not to give them any rational reason for doing so, which is to say that we must not give them the ability to proselytize among the unsuspecting. Among the infinite sadnesses of being a New Yorker of a certain generation after the attack on the World Trade Center was being a witness to the amnesia surrounding the date of the event. As television networks and major newspapers speculated on the significance of the day and month chosen by the perpetrators of the crime, I could only reflect on what so many people must have been thinking in Chile, from the current (socialist) president to the residents of Santiagos barrios. For while I believe that there was absolutely no connection between one event and the other Osama bin Laden would have murdered Salvador Allende even quicker, and with less remorse, than he would murder any American I could not help but remember the day of the coup almost two decades earlier that destroyed a nation (and the hopes of many of us around the world): September 11, 1973.
Peter Pappas is co-founder of greekworks.com.
The British War of Greek Independence
The Greek War of Independence: The Struggle for Freedom from Ottoman Oppression and the Birth of the Modern Greek Nation by David Brewer. The Overlook Press, Woodstock, New York, 376 pages, 2001, $35.00.
By Speros Vryonis, Jr.
The appearance of this book, written by an English author trained in the Greek and Latin classics, in the very first year of the third Christian millennium is undoubtedly indicative of the fact that the struggle of the Greeks to constitute their nation in the form of a Western-style state independent of a foreign imperial structure remains a subject of perennial interest, not just among Greeks but also among Westerners more broadly. The post-Second World War era witnessed an intensification of scholarly research on the Greek Revolution, from Britain to the then-Soviet Union, as well as in France, Germany, Austria, and the United States. The bibliography on this historical event has now rapidly turned into a small ocean that only specialists can hope to master. Relevant works are not only vastly increasing numerically, but they are also now written in most European languages, as well as in Turkish, although the bulk of the research continues to be in modern Greek. Anyone not a master of the various levels of modern Greek cannot hope to deal with the sources and historical monographs written in these various forms of the language that have been employed from Adamantios Korais to Konstantinos Karamanlis, and will perforce have to rely on other languages, or secondary sources, for access to these writings. Finally, this Greek and international bibliography on the Greek Revolution includes widely ranging and often contradictory methods and points of views: nationalist, anti-nationalist, neo-Marxist, religious, secular, racist (a la Gobineau), propagandist (both local and foreign), structuralist, deconstructionist, and neo-anthropological.
In this respect, it is noteworthy that the author of The Greek War of Independence has practically no introduction that tells us why he undertook this well-written volume on the Greek Revolution, or what he understands the demands of his readers to be. My own reading of his book convinced me that he found this series of events fascinating in and of itself, with not only the internal and external forces being important, but also the character and actions of individual participants worthy of interest and attention. It is interesting that the author does not mention, either in his terribly abbreviated bibliography or in the more than 450 footnotes, the book of his compatriot Douglas Dakin, The Greek Struggle for Independence, 1821-1831 (Berkeley, 1973), which covers the same period and in which the chapter divisions and contents are, more or less, similar to those in his own book. The broader interest in the Greek Revolution is based not only on the inherent interest in the events themselves, as reflected in Brewers book, but also because the Greek Revolution was not only a Greek phenomenon. It was, as well, a prismatic reflection of a number of major developments in the historical, economic, and social evolution of western Europe. Finally, it involved playing out two imperial traditions and cultures: those of Byzantium and the Ottoman empire. Brewer has effectively interwoven all these factors into his narrative as well. The Enlightenment and its emphasis on the secularization of knowledge and society, its elevation of the role of the citizen in the political and military life of the state, its creation of the new sciences and critical philology and historiography, furnished Greek intellectuals with a new political vision, which clashed with traditional Byzantine and Ottoman institutions and political theories. When Alexander von Humboldt founded the University of Berlin, the study of classics became the foundation of higher education in the West. Romanticism added another ingredient to this complex of Western cultural baggage, with the idea of the unique genius of a people reflected in its simpler creations and manifestations. The Balkans soon became a museum for the study of their peoples folk poetry and songs, which were thought to be the products of societies closer to nature and therefore pure. People such as Goethe caught glimpses of these Greeks and Balkanites when their merchants visited the great German commercial fairs, and so Westerners began to collect their folk songs. Finally, the dynamic development of Western industry and international commerce had a profound effect on the Balkans and the Near East. This gave room for the intensive development of shipping and commerce that created new wealth among Greeks, and exposed them to all the movements mentioned above. It was also the era of the creation of princely and museum collections of Greek and Roman antiquities. Out of these arose a new strand in traditional Greek culture a very important one along with Western ideas, education, and technology, which began to compete with the older traditional culture and values. Out of all this arose the well-known movement of philhellenism, to which Brewer and many scholars have rightfully given considerable political attention. Accordingly, the Greek Revolution was heavily influenced by contemporary Western institutions and ideologies. The history of any people, society, or culture can never be fully explained on the basis of its internal values and dynamics. External dynamics are of equal importance, and the evolution of any society must be understood as an interplay of these internal and external dynamics. Not the least important of the external dynamics in the Greek case were the events attendant upon the political and military decline of the vast, once powerful (and still militarily significant) Ottoman empire, the balance of powers in Europe after the defeat of Napoleon, and their apprehension as to the situation (so marked with the Greek Revolution) that the collapse of the Ottoman state would create in the European political arena. A great many of these important aspects of the Greek Revolution appear in Brewers book. His study and analysis reveal a keen perception of how most of them fit together, their relationship to one another, and their contribution to the dynamics of a revolution that went through constant change in its relations with both the internal and external factors of power with which it had to contend. These power relations often provoked spectacular highs and lows in the fate of the Revolution, as well as in the fate of Ottoman authority and even in the changing diplomatic positions of Russia and England. Brewer is also aware of the gray areas of loyalties, alliances, and economic advantages. This is quite in consonance with the regionalism that marked both the Byzantine and Ottoman empires, and it was reinforced by geographic configurations and ethnoreligious factors among the various subjects and rulers of the Ottoman empire. The mountains, small and larger plains, the seas and islands, the elements of accessibility and isolation, played important roles, since both human and geographic factors are decisive in allegiances, betrayals, and smaller interests. Brewer often focuses on the consequences of such factors in the military domain: the mountains tended to serve as a beginning and refuge, in times of difficulty, for the rebels; the sea became a haven for the Greek islanders and a bane to the Ottoman government; the walled towns felt more nearly secure. Militarily, it was guerilla warfare against large traditional armies; boats armed with Greek fire against Ottoman ships of the line; regional revolutionary centers resisting centralized Ottoman authority and large military expeditions. Both the Greek revolutionaries and the Ottoman sultan, having fought each other to a standstill, appealed to external military forces: the sultan to Mehemet Ali, his de facto independent governor of Egypt, and his modern Egyptian army and fleet; the Greeks to the British, in whose authority they placed their revolution. And so the military resolution of the situation was indeed decided by trial of arms in the Bay of Navarino in 1827, when the allied fleet destroyed Mehemet Alis armada and set the seal on Greek independence. This new book does not tell us a new story, for, as indicated above, this tale has been told before. But inasmuch as the Greek Revolution is an epic, it needs to be told and retold over time in a fresh and interesting manner, for the art of narrative is in itself creative and has the potential to attract larger audiences. I believe that the present retelling is extremely intelligent, highly analytical, and to the point. Brewer is indeed an excellent narrator, and most chapters (but not all) have neither one word too much nor too little. The chapters tend to be balanced (there are two rare exceptions in which Brewer attacks the French historian Pouqueville on the myth of when and how the Greek Revolution began, a point settled by scholars some time ago); that is, they are balanced within themselves, and the entire work tends to a balanced picture of the internal and external dynamics of the Greek Revolution. Brewers descriptions, never drawn out, tend to be graphic, and his illustration of human cruelty in war, or his depiction of petty and larger self-interests, jealousies, incompetence, cowardice, and bravery are appropriately inserted to characterize both individual and group behavior under the stressful conditions of a long and brutal conflict. The relatively copious materials dealing with many of the heroes and villains of the piece such as Ali Pasha, Omer Vrionis, Odysseas Androutsos, Ioannis Kolettis, Khurshid Pasha or the descriptions of the defeat of Dramali Pasha by Theodoros Kolokotronis, the conduct of Kolokotroniss son in Nafplion, the conflicts and arrest of Kolokotronis, the conduct of both Georgios Karaiskakis and of the Souliotes (in parasitic attendance to Byron in Missolongi), the haughtiness of Ioannis Capodistrias, are all successful and artfully narrated. One is thankful that alongside Brewers capable analysis of political and economic factors, largely impersonal, one see a healthy injection of the human personality and self-interest in determining outcomes. Brewer has succeeded in reducing this extraordinarily complex and bewilderingly detailed uprising, which lasted the better part of a decade, to its essentials so that the unsuspecting reader can follow the flow of events and the political evolution in an understandable manner. Further, he has transformed it by the grace of his narrative style. He is brief, direct, and simple. One of his most useful artifices is the analytical narrative that poses and counterposes the forces at work, evaluates them negatively and positively, and then resolves them with a summation at the end that is both fair and attempts to be objective. Though there are some thirty-two chapters, each one makes for rapid and interesting reading, provides the reader with a relatively straightforward text, and then summarizes and justifies what has been said. This is probably the greatest virtue of Brewers narrative style. There are some minor observations that should be made by way of conclusion. The two introductory chapters form an exception to what is otherwise an interesting and useful book. It is clear from the first and second chapters that Brewer does not have any profound understanding of Ottoman rule in the Greek or Balkan lands. The few data that he manages to give are almost entirely erroneous. For example, the stepmother of Mehmet II, conqueror of Constantinople, was not Greek; she was the Serbian princess Mara, the daughter of the Serbian despot Brancovich. Also Mehmet did not have Greek blood in his veins (his mother was a slave, probably of Jewish-Italian origin, as per Babinger et al), and he did not restore the patriarchate because he had a special sympathy for Greeks because of this fact. Actually, the restoration of the patriarchate was an example of the traditional, centuries-old method by which Muslim rulers ruled their Christian and Jewish subjects (i.e., by appointing their religious leaders to be heads of their respective communities). Erroneous also is Brewers dating of the introduction of the child tribute of Christian (and sometimes Jewish) boys for service in the palace and Janissary corps to a later period of Ottoman history. In fact, the history of this child-tribute (devshirme) is now clearly established as having begun in the fourteenth century, a period of vigorous expansion. Similarly, the few works on the Tourkokratia that Brewer uses are outdated and penurious. As for the Greek Enlightenment, all leading works on the subject are missing from his citations. In a future edition, these two chapters should be entirely reworked and rewritten. Brewers work, and it is one for which we should be grateful, belongs to a rather well-established tradition of the historiography of the Greek Revolution as well as of the history of modern Greece. Figures such as Christopher Woodhouse, Richard Clogg, Douglas Dakin, C.W. Crawley, and William St. Clair are among the most illustrious of this English historiographical tradition. A rough tabulation and cursory analysis of the footnotes in his book, however, reveal very clearly that Brewer was overly dependent on this particular tradition. Of a little more than 450 references I have looked at, the ten authors to whom Brewer most frequently refers are: T. Gordon (54 references); G. Finley (28 references); Byron (28 references); Woodhouse (25 references); Trikoupis (24 references); Clogg (22 references); Howe (20 references); Kolokotronis (17 references); Temperley (16 references); and Green (11 references). Thus in a total of about 450 references in his text, Brewer utilized English authors about 245 times. The only references to original Greek texts are those to the work of Trikoupis. Even Kolokotronis is quoted from an English translation, and Brewer turns to the English translations in a book edited by Richard Clogg for references to other Greek primary sources. This rather crude statistical summary indicates clearly that Brewer relies, and does so preponderantly, on English-language scholarly works and sources. What he offers his reader, therefore, is primarily an excellent analytical summary of the English tradition. As such, his book is both functional and very handy to have. It is, however, much less based on original research on primary sources and does not go beyond the traditional English historiography on the Greek War of Independence.
Speros Vryonis, Jr. is distinguished professor emeritus of Hellenic civilization at New York University.
The Second Battle of Marathon, 2001 CE
By Makis Aperghis
In 490 BCE, the invading army of the mighty Persian empire, which stretched from the borders of India to the Balkans and Libya, landed on the coast of Marathon with the intention of destroying Athens. The ensuing Battle of Marathon was a turning-point in history that, if nothing else, ensured that Persian dominion would not extend to the Greek city-states. Today, however, another Battle of Marathon is raging, this time between Greeks. Greek conservation organizations, historians, archeologists, and many others interested in protecting the environment and preserving Greeces cultural heritage, have united. Their opponents are the Greek government and certain economic interests vested in the 2004 Olympic Games. At the eastern end of the Marathon plain lies Schinias, one of the few remaining havens of biodiversity in Attica, the region around Athens in which nearly half the population of Greece is concentrated and, consequently, nature has been brutally violated in the interests of development. In a relatively small area, which has suffered some degradation in the past due to lack of government protection, Schinias includes several different types of habitat. One that is important for the European Union is a rare and beautiful forest of stone pine (Pinus pinea) on sand dunes, the finest of only three in Greece. The forest lies between a sandy beach and extensive wetlands, at whose eastern end the Kynosoura (or Dogtail) peninsula contains a typically Mediterranean ecosystem of maqui and shrub, fortunately still completely unspoiled, while at the western end a natural spring, the Makaria, supplies water for the wetlands.
Schinias is rich in fauna and flora. As many as 176 species of birds have been recorded there, including glossy ibises, marsh harriers, black-winged stilts, kingfishers, white pelicans, ten species of herons, red kites, short-tailed eagles, and peregrine falcons. Most of these species are protected by the European Unions Birds Directive 79/409/EEC (50 species), the Bern Convention (130 species), and the Bonn Convention (98 species), and the site has been consequently designated an Important Bird Area (IPA). There are at least 4,000 species of insects, including some that are locally endemic (i.e., present nowhere else), more than 350 species of flowering plants some quite rare as well as several threatened species of reptiles and amphibians and even one locally endemic freshwater fish. No one denies the ecological value of Schinias, not even the Greek government, which had originally included it in the list of protected areas to be submitted to the European Union as part of the Natura 2000 program. For the birds in particular, most of which are migratory, Schinias is a waystation on the route between their winter quarters in Africa and their breeding grounds in Europe. Each station is crucial for the birds resting and feeding, hence the importance also of the respective insect populations. In 1997, however, Athens won the 2004 Olympics, and the Greek governments ostensible commitment to protecting the environment was exposed in all its true colors. Schinias was immediately selected as the site of the Olympic rowing center, which was actually positioned right in the middle of the wetlands. At the same time, the area was removed from the Natura 2000 list of protected sites so that construction could proceed without interference. Had this plan been implemented, Schinias would have been totally destroyed. The Olympic rowing center consists of two artificial lakes, one for competition and the other for training and warming up. The first is 2,250 meters long (1.4 miles), 162 meters wide, and 3.5 meters deep, while the second has about the same area, but is shallower. The total water surface is huge, about 750 hectares (1,875 acres). Permanent construction includes a three-story start tower, a four-story finish tower, offices and meeting rooms, restaurants, dormitories, boathouses, a helipad, and gas station, as well as grandstands for 10,000 spectators, with places on the banks for 40,000 more, and parking spaces for VIPs and buses. The entire rowing center, occupying 1,200 hectares (3,000 acres), could easily cover the whole of central Athens. But that is not all. The Olympic canoe and kayak slalom course 400 meters long, with a capacity of 5,000 spectators is located right next to it. The initial budget for the project was about $90 million. The four major environmental groups in Greece the World Wildlife Fund, the Hellenic Ornithological Society, the Elliniki Etairia, and the Hellenic Society for the Protection of Nature joined forces to fight against siting the rowing and slalom centers at Schinias. The Second Battle of Marathon, as it later came to be called, had been joined; at that time, in early 1998, however, it was still a one-sided affair. Nevertheless, in order to silence opposition, the government moved the proposed site of the rowing center to the western end of the wetlands and set in motion the procedure for creating a national park by presidential decree. The national park was to include the stone pine forest, the wetlands, and the other habitats, and so, theoretically, protect Schiniass environment, while the area designated as the rowing center was to become an area of environmental education, research, and sporting activities, as if that were the order of priorities! The four environmental organizations dismissed the presidential decree as a sham, and a cover to give environmental credibility to a damaging construction project and further development within the national park (restaurants, bars, and other amenities). Furthermore, the slalom course was not included in the national park, but left just outside on the edge, so there would be no obstacle to developing it further as a recreational park or a facility for other kinds of tourist activities after the 2004 Olympics. And the terms of the presidential decree made it quite clear that the emphasis was to be put, not on protecting the environment, but on the convenience of the spectators and users of the sports facilities. Here are a few examples. Aerial spraying was not prohibited, nor was the use of pesticides and chemicals, which could destroy wildlife. Buses would be permitted to enter and park in the stone pine forest, which would seriously inhibit its regeneration. Wells could be drilled for the needs of the artificial lakes, which would lower the water table and allow the sea to penetrate into a fresh-water, life-sustaining environment. In any case, priority for water from the Makaria source went to the rowing center. Only after its needs were satisfied (not less than one million cubic meters annually from evaporation alone, apart from any seepage) would the wetlands receive any. Water is, in fact, the key. It has always been the contention of the plans opponents that the Makaria spring could not supply enough, and this has been amply justified these past two summers, when it virtually dried up as it might well do again in August 2004 during the Olympics. Thus, the government has been compelled to budget for a pipeline costing $20 million, which would draw from Athenss drinking-water reservoir at Lake Marathon. In Greece, environmental protection is still far from being a priority, despite the fact that the countrys great natural beauty is a major asset and pole of attraction, along with its historical heritage, for more tourists each year than its entire population. Though some progress has been made, both the Greek government and public opinion tend to be fairly indifferent to environmental issues. In this adverse climate, the four environmental groups first attempted to reason with the government for a change of the site of the rowing center and even proposed a perfectly satisfactory and much cheaper solution at Yliki, a lake only 77 kilometers from Athens. But Yliki did not have the potential for future economic development that Schinias-Marathon did. There was thus no alternative but to clash head-on with the government on two fronts: legal issues and public opinion. The four groups were fortunate, however, to find an important ally in Greek history itself. It is generally accepted by historians and archeologists that the Persians landed on Schinias beach with a force of 20,000-30,000 soldiers, not including the 40,000-50,000 sailors who manned the invasion fleet of 600 ships. They established a base on the western edge of the Schinias wetlands, which was a marsh in antiquity, where they could easily be provisioned with water from the Makaria source. They then marched some three kilometers across the Marathon plain in formation to face the Athenian army of 10,000 men, which had been deployed at the base of the foothills at its western end in order to guard the route to Athens. For several days, the two armies faced each other until the Athenians attacked, having first thinned out their center so that their battleline equaled that of the Persians, which was probably not less than 1.5 kilometers long. The Greek center executed a fighting retreat against vastly superior forces, but the flanks routed the opposing Persians and then turned inward to attack the Persian center from the sides and rear. The Persians fled to their ships, suffering most of their losses when they were cut down or drowned in the marsh. The battle continued in the stone pine forest, on Schinias beach, and in the shallows, and the Athenians lost several of their best men trying to capture a number of Persian ships. If this is how the Battle of Marathon was fought, as most historians believe, it is quite clear that the Olympic rowing and slalom centers are being built on part of the battlefield. The four organizations brought this fact to the attention of the public, in Greece and abroad, and there were now two issues to fight, one environmental and the other historical. That the Greek government was about to desecrate a historical battlefield of world importance created an international uproar. (Imagine a baseball stadium on the battlefield at Gettysburg!) The Archeological Society of Greece, the Academy of Athens, hundreds of personalities, and thousands of people joined in the protest in Greece. The relevant government departments and Greek embassies abroad, along with the International Olympic Committee, were flooded with protests from international environmental and cultural organizations, as well as individuals. The Greek and foreign press reported the story extensively and, overwhelmingly, took an anti-government position. In the face of all this opposition, the Greek governments response was a classic case of disinformation. According to it, Schinias really had no significant ecological value, and it was actually the construction of the rowing center, with its artificial lakes, that would create this value. As for the Battle of Marathon, it supposedly did not take place at Schinias, but at the tomb of the Marathon warriors 3.5 kilometers away (as if a battle involving 30,000-40,000 soldiers could be located in one spot, even if the area of the tomb was part of it). Of course, this did not explain the Persians drowned in the marsh and killed on the beach. That is why, when this position proved untenable, an even more spurious argument was put forward, based on an article in a Belgian scientific journal, that Schinias had been under the sea in 490 BCE. This second argument was effectively countered by research reported by the American School of Classical Studies in Athens and a geological survey of the site conducted by the University of Thessaloniki, which showed that there had not been any significant change in the geography of the area since antiquity. Meanwhile, on the legal front, the four environmental groups lodged a formal complaint with the European Commission, maintaining that European directives protecting the environment more specifically, the Habitats Directive (92/43/EEC) were being violated. The commission upheld the ecological importance of Schinias and requested that it be included in the Natura 2000 network. Under what conditions the rowing center is to be permitted is the subject of ongoing negotiations between the commission and the Greek government, with the latter engaged in delaying tactics while construction work proceeds. Environmentalists may not succeed in having the rowing center relocated, since the issue has acquired a political importance out of all proportion. But there have been positive results so far from this three-year campaign. The artificial lakes and facilities have been moved to one end of the wetlands, and the presidential decrees most damaging provisions have been cancelled. Furthermore, a decision by the Council of State declared that those clauses in the decree allowing the establishment of tavernas, bars, and similar facilities in the national park were illegal. This, along with the fact that the Olympic slalom course has been entirely relocated, is a very serious blow to commercial interests in the area. Another decision by the Council of State is expected in November on the legality of the project as a whole. Perhaps the most significant environmental victory to date, however, is the enormous press coverage that this campaign has received. It has sensitized public opinion from all walks of life much more to environmental issues which bodes well for Greece while making politicians tread a little bit more carefully on nature.
Makis Aperghis is secretary general of the Hellenic Society for the Protection of Nature, the oldest conservation group in Greece.
Editorial
By The Editors
There are few things more daunting than beginnings. The combination of hope, anxiety, arrogance, hesitation, ambition, and self-doubt that inheres in every first step points directly to the difficult and often contradictory nature of human effort. And yet, it is those first steps that invariably lead to and direct every human beings initial decision to engage with the world. In the event, what matters in the end, in Cavafys oft-quoted prescription, is not the destination but the journey. Put another way, it is not the final word but the actual conversation or put yet another way, homo sapiens as homo faber. This site and the larger venture of which we hope it will end up being only a part is called greekworks.com precisely for that reason. There are no end products here, only a continual production; no summary conclusions, only unceasing discussions, debates, dissents, and perhaps even, occasionally, consensus which will in any case, we hope, simply provoke new conversations, discussions, debates….
greekworks.com is a private venture, begun by four individuals. We are beholden to no one and nothing other than our own sense of what we need to do. There are no government subsidies, no media conglomerates, no major financial institutions behind us. What you will see here today, and every day afterward, is what you will get: no hidden agendas, no secret sponsors, no powers that be that are powers that need, want, and must have. Which is why greekwork.coms success if it does indeed succeed will hinge, not so much on the kindness of strangers, as on their understanding of this project, their commitment to become active participants in it, and their agreement that the time has come for the Greek world to shed its parochialism, bigotries, complexes, and worst of all and progenitor of all other ills egocentricities. We believe that the Greek world defined once again in the most Cavafian sense as an enormously capacious, tolerant, and hybrid ikoumeni is much too big for the smallness of the institutions that regiment or control it (or have historically sought to do so). We also believe that the only thing that counts in this new century is its plenitude: of ideas, of sentiments, of creativities, of all of the men and women who are a part of it. This is in fact the first year of the first decade of the new century: an auspicious beginning, we hope. What that means in any case is that the extraordinary technological advances of our times can be used to reinforce human communities, not fracture and isolate them. The Internet began as a multivocal promise and ended up as a threat to incorporate even our most private moments into a global web of continuous commercial exploitation. We want to return to the Internets original promise: community creation, democratic access, individual resistance. Welcome to greekworks.com.
Thessaloniki’s Hidden Passion: PAOKomania
By Alexander Kitroeff
Thessalonikis love affair with PAOK is kept under wraps. You will rarely find any mention of it in the celebrations of the citys carefully tailored image as a repository of rich layers of Byzantine, Ottoman, and Jewish history and culture, or as a vibrant, modern Greek and Balkan metropolis ready for the challenges of globalization. Why bother with sports when the contemporary city can boast of its annual international trade fair and film festival, its intellectual life, its markets and museums, and its excellent cuisine and thriving nightlife? But the citys passions are close to the surface, and they burst out in the open on any Saturday evening when PAOK plays basketball, and even more so on a Sunday afternoon when PAOKs soccer team takes the field. Teenagers hang precariously on mopeds zigzagging through traffic, their black and white scarves fluttering. Cars with black and white banners billowing outside their windows honk as they pass through the center of the city on their way to the game.
A Cult By Any Other Name As PAOK marks its 75th anniversary, its fans can reflect on a history that, beyond any athletic achievement, has seen the team become somewhat of an unofficial religion in Thessaloniki. Not in any spiritual sense, but as defined by Emile Durkheim, namely, a set of symbols with which society worships itself and expresses its collective identity. PAOK went from being the sports club of the Asia Minor refugees to becoming Makedonias, and the whole of northern Greeces, team. And although PAOKs totemic stature faltered not long ago under the weight of hooliganism, recent good times suggest that the northern Greek cult of PAOK is alive and well. PAOK was a relative latecomer to Thessaloniki. The oldest big soccer team was Iraklis, formed in 1908 by athletically minded members of a music club. At a time when Thessaloniki was part of the Ottoman empire, these individuals chose to emphasize their Greekness by adopting blue and white colors. When another group of sports fans decided to establish a rival club, they had to choose the only name that could match up against Hercules. Consequently, they called their club what else? but Aris, after the god of war. The timing of their move (1914), and their choice of the gold and black colors of the Byzantine empire, suggest that this was probably a group of middle-class Thessaloniki Venizelists. And then came PAOK. There was nothing genteel and bourgeois about the founding of this club: It was a child of the Asia Minor Disaster. Members of the Pera Club of Constantinople who had moved to Greece after 1922 established it. The clubs full name is the Panthessalonikian Athletic Club of Constantinopolitans, and its emblem is a Byzantine double-headed eagle. PAOK chose black and white as its colors because Aris and AEK Athens (also a refugee club) had already adopted gold and black. Last month, which marked the clubs 75th anniversary, a PAOK delegation visited Istanbul to contact one of its founders and to collect data relating to the clubs Constantinopolitan origins. A Club of Our Own PAOK immediately became the club that the thousands of Asia Minor refugees in northern Greece considered their own. Pontian refugees established the Apollon club in the Kalamaria area of Thessaloniki, but no other club competed for the loyalties of all those from Constantinople and Asia Minor. In terms of numbers, PAOK quickly became the most popular club. A glance at refugee figures tells us why: According to the 1928 Greek census, refugees constituted 48 percent of Thessalonikis population, and the percentage throughout Makedonia was almost as high. Refugee identity retained its salience until the outbreak of the Second World War thanks to native enmity generated by the competition for scarce resources in what was a poor country struggling to absorb thousands of destitute newcomers. Prosfigia (refugeeness) was not a lightly worn label in the 1920s and 1930s. There was intense conflict with indigenous Greeks, and the epithets the latter used against the refugees included tourkosporoi (of Turkish seed) and yaourtovaftismenoi (baptized in yogurt, a reference to an important ingredient of Asia Minor cuisine.) The conflict was preserved by the emergence of separate, ghetto-like refugee neighborhoods ringed around Thessalonikis center. The refugees responded to nativist exclusion and prejudice by asserting their identity. They generated their own left-wing and Venizelist political culture, their own rebetika, their own cuisine, their own associations, and, of course, PAOK. Aris, the strongest native club, inevitably became PAOKs great cross-city rival. To this day, PAOK supporters call their Aris counterparts, skoulikia (worms), and the Arians respond by calling PAOKs supporters, gyftoi (Gypsies). Both these epithets eerily recall the conflict between indigenous Greeks and the uprooted refugees. Them and Us After the Second World War, refugee identity abated, but PAOKomania did not; indeed, it increased. Second-generation refugees in northern Greece remained loyal to the team, but there was much more than nostalgia or family tradition that fostered support for PAOK. The double-headed eagle became a symbol of northern Greeces struggle against the self-absorbed and distant Greek state that willfully ignored the provinces as Athens expanded demographically and economically. Athenss arrogance was exemplified by its control of the new semi-professional national soccer championship that began in 1960. It would take fifteen years to break the monopoly of the Athens-Piraeus Big Three Panathinaikos, Olympiakos, and AEK which managed to share the spoils between them. It was not only allegedly curious refereeing decisions and back-stage machinations designed to undermine the double-headed eagle of the North that angered PAOKs fans. Olympiakos Piraeus tried to steal PAOKs greatest soccer star, the legendary Giorgos Koudas, during the 1960s. Civil war was averted, but from that time on, Olympiakos, even more than Aris, became the team that PAOK fans love to hate. An Olympiakos-versus-PAOK match is a small-scale war that stretches the polices crowd-control capacities. During the 1970s, nothing could stop a superb PAOK soccer team led by Koudas. In 1976, PAOK became the first team other than the southern Big Three to win the national league championship. That decade also saw the black-and-white Thessaloniki team win the other major tournament, the Greek Cup, twice and also reach the final game another four times, only to lose each time. The successful 1970s transformed PAOK into Makedonias and northern Greeces team. These against-all-odds successes became a metaphor for the resoluteness of northerners, as the black double-headed eagle symbolized a new collective identity. The change was evident in the lyrics PAOK supporters sung in their stadium. The first PAOK song began with the words, We are the children of the City (Constantinople). In contrast, a song celebrating PAOKs victory in the Greek soccer cup tournament in 1972 (the clubs first national trophy) began with the verse, Makedonia and Thessaloniki are feasting/because PAOK offered them/the greatest victory. There was no mention of refugee roots, just as there was not in a song marking another championship in 1985. Ups and Downs In the 1980s, soccer turned fully professional in Greece and basketball soon followed suit PAOK had fan support but needed more money for paying players, as well as signing new ones who would help the team compete. At that point, the fortunes of the basketball and soccer teams diverged, not only off the field but also on it. PAOK managed to score a number of achievements on the basketball court, winning a series of Greek titles and two major European tournaments. The presence of current Phoenix Suns coach Scott Skiles and Sacramento Kings star Peja Stojakovic on PAOK in the 1990s are proof of the high quality of its basketball program. As for the soccer team, it was doing well domestically and had some good performances in European tournaments, although it could not regain the heights it had scaled back in the 1970s, winning only one championship in the mid-1980s. Then it played against Paris Germain of France in the fall of 1992 in a European tournament. PAOK had already lost in Paris and soon fell two goals behind. PAOK fans did not limit themselves to the usual (illegal) smoke-bombs and flares they ran riot. The game was interrupted and the European soccer authorities punished the team. PAOKs inability to control its fans was partially due to lack of funds. The club was in an odd situation: it was as popular as the Big Three and could rely on the support of thousands of dedicated and vociferous fans, hot-headed fanatics who frequently crossed the boundary into outright hooliganism, a plague on Greek soccer from the late 1970s onward. But the southern clubs such as Panathinaikos and Olympiakos marshaled enough resources to coopt their unruly fans through free tickets, free transport for road games, and other perks. PAOK never had the money for these kinds of giveaways, so instead had to face heavy fines thanks to its fans. The result was that a financially weakened PAOK hit its nadir in the mid-1990s, finishing fourteenth in the Greek soccer league, its lowest ranking ever. Glory Days Return Yet there was life after near-death. With a new president and a serious cash infusion, PAOK was up and running again. The soccer team emulated the successes of the financially independent basketball team. In September 1997, PAOK eliminated the mighty Arsenal from the UEFA Cup, a major European soccer tournament. The team from Thessaloniki defeated one of Englands strongest teams, 1-0, at home and then managed an astonishing 1-1 tie playing on Arsenals usually impregnable home field in north London. After the triumph over Arsenal, things began looking up again for northern Greeces most popular team. It all came together in May 2001 when, to the delight of their ecstatic and well-behaved fans, PAOK defeated arch-rival Olympiakos in the final game of the Greek soccer cup. The win, with an impressive 4-2 score, ended a sixteen-year trophy drought for the black-and-whites. Coach Dusan Bajevic dedicated the victory to the people of Thessaloniki and the whole of Makedonia. If PAOK can stay financially healthy, maintain control of its fans, and most important of all keep on winning, surely its status as the citys unofficial religious cult may even finally gain public recognition.
Alexander Kitroeff teaches history at Haverford College and is a contributing editor to greekworks.com, which published his most recent book, Wrestling With the Ancients: Modern Greek Identity and the Olympics.
Sophia Kokosalaki
By Lena Papachristophilou
With two university degrees, in Greek and English literature, Sophia Kokosalaki certainly does not share the standard education of a fashion designer. Nevertheless, she has been praised as one of the most directional designers of her generation by the European magazine Self Service and has been the subject of a profile in Vogue UK. At 28, her state-of-the-art collections have introduced a reworked Grecian elegance to todays fashion. Partly responsible for last summers Grecian meets 80s drape trend, she has decidedly arrived in the international fashion world. Being accepted by the prestigious St. Martins School of Art, Athens-born Kokosalaki had her dream come true when, together with photographer boyfriend Bill Georgoussis, she moved to London in 1996 to complete her studies in fashion design. Two years later, her graduate collection was on display on the chic racks of trendy London boutique Pellicano, her first stepping-stone to the elite, high-end international market. Unconventional and hand-detailed, Kokosalakis early, if somehow overworked, punk-Gothic pieces were quickly noticed by the vanguard fashion editors of the independent press. Even before her graduation, her work had reached the style pages of the Sunday Times magazine.
By the beginning of 1999, Kokosalakis intellectual approach had been noticed by the expert eyes of important manufacturers and top fashion headhunters. It was time to get access to the industrial side of design. Her first, successful opportunity came in the form of a capsule knitwear collection commissioned by Josephs up-market private label just three months after her first London fashion show, and while she was still an outsider to the London fashion scene. One year later, however, her reinvented elegance was being showcased by actress-turned-style guru Chloe Chevigny, super-model Kate Moss, and rock goddess Courtney Love. Joining the Italian leather house of Ruffo Research in March 2000 was a moment of recognition for the Greek designer. She was practically stepping on the heels of the rising stars of the new fashion generation. It was her turn to present her Ruffo Research vision, like the prestigious Belgian couple A.F. Vandervorst, the talented Paris-based Veronique Branquinho, and her Gothic menswear sidekick, Raff Simons, had done before her. Experimenting with the finest suede and leather (which she draped, pleated, and twisted), and taking advantage of Italian expertise and tradition in the materials, Kokosalaki got the most favorable reviews, and was noticed for her color combinations and draping techniques. Generally, her Ruffo Research contract, which expired last March with the presentation of her Amazon fall-winter 2001 collection, was a happy affair. Kokosalaki was given total creative freedom and was thrilled to learn the ways of mass production; she even made a surprisingly interesting attempt at menswear, which eventually led her to launch a mens line in September 2000 under her own label. Choosing her next contract will be difficult for the rising designer. Last March and during the fall-winter 2001 fashion shows, everyone was talking of Kokosalaki replacing Narciso Rodriquez as the artistic director of LVMH-owned, Spanish label Loewe. Kokosalaki, however, rejected the offer. One of her new projects is a deal with British retailer Top Shop, for which she will be designing and supervising in-store lines under the retailers TS label. The capsule collection should be available at Top Shops Oxford Circus branch by the end of October 2001, and will be displayed in a special boutique inside the store. Through this opportunity, she will get a much-needed outlet to make her work available to a much wider public. Combining romance, dynamism, and decisiveness, Kokosalaki is developing a feminine, hard-core, Amazon look for winter 2001-2002, which will include her signature unfinished leather-band details, asymmetrical pleating, and alternative draping. Taking a fresh direction, she also presents some breathtaking structured coats and fitted jackets, with intelligent piped details, straight trousers, and slim skirts. Her favorite colors of the season are red, olive, salmon, and brown. Minoan V-necks stood out as one of the finest moments of her collection. Boots were the leading catwalk detail. The more you develop, the more you learn, comments Kokosalaki, regarding her latest summer 2002 collection. Inspired by ancient Cretan culture, she is introducing warm terracotta, old pink and apricot, cream shades, and tan. Leaving behind her draping days, Kokosalaki is expanding her winter 2001 Minoan details to a full-blown, and decisively Greek, Minoan Pagan summer. Even though she might be going over the top with her jersey jodhpur trousers, I loved her continuation of piped details, her high-waisted pagan cheesecloth dresses, the cobweb, and the macramé details. Sophia Kokosalakis bittersweet collections can be found at Henri Bendel in New York, at Et Vous in Paris, and at Londons Something.
Lena Papachristophilou is a writer for the Greek edition of the French fashion magazine, LOfficiel, and is also a designer. In 1997, she won a European prize in the Masters of Linen design competition.
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